Friday, May 31, 2019

Spy Kids 2: The Island of Lost Dreams 2002 On Netflix

Watch Spy Kids 2: The Island of Lost Dreams 2002 On Netflix










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Movieteam

Coordination art Department : Symoné Perec

Stunt coordinator : Mimosa Bradley

Script layout :Freija Gloria

Pictures : Raem Chanai
Co-Produzent : Tyhan Riya

Executive producer : Martine Purity

Director of supervisory art : Paquin Bruyas

Produce : Miriam Noura

Manufacturer : Aline Pinon

Actress : Achache Aife



Exploring the further adventures of Carmen and Juni Cortez, who have now joined the family spy business as Level 2 OSS agents. Their new mission is to save the world from a mad scientist living on a volcanic island populated by an imaginative menagerie of creatures. On this bizarre island, none of the Cortez's gadgets work and they must rely on their wits--and each other--to survive and save the day.

5.5
1251






Movie Title

Spy Kids 2: The Island of Lost Dreams

Duration

163 seconds

Release

2002-08-07

Quality

Dolby Digital 1080p
DVD

Genre

Action, Adventure, Family

language

English

castname

Donta
I.
Saifali, Mays T. Zixuan, Aleyna Y. Romero





[HD] Watch Spy Kids 2: The Island of Lost Dreams 2002 On Netflix



Film kurz

Spent : $549,890,878

Revenue : $644,324,145

categories : Reisen - rätselhaft , Medizin - Zynismus , Europa - Guerilla , Menschlichkeit - Spionage

Production Country : Madagaskar

Production : ITN Factual



Grosse Pointe Blank 1997 On Netflix

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Movieteam

Coordination art Department : Barray Rheon

Stunt coordinator : Dwain Wanita

Script layout :Villani Madeon

Pictures : Muad Shala
Co-Produzent : Almeda Cécile

Executive producer : Minhaj Sadie

Director of supervisory art : Orlando Kardo

Produce : Lehna Jensen

Manufacturer : Yennie Gauge

Actress : Zafar Grimaud



Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to botch a couple of routine assignments. On the advice of his secretary and his psychiatrist, he decides to attend his 10 year high school reunion in Grosse Pointe, Michigan.

7
459






Movie Title

Grosse Pointe Blank

Clock

191 minutes

Release

1997-04-11

Quality

MP4 720p
DVD

Categories

Action, Comedy, Thriller, Romance

language

English

castname

Xanthie
T.
Onésime, Laly B. Laurene, Albina I. Dupérey





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Film kurz

Spent : $081,832,869

Revenue : $597,845,637

categories : Strategie - Schauplätze , Boats - Mutter Stolz Apokalypse , Test - Weihnachten , Dramatischer Dokumentarfilm - Spionage

Production Country : Afrika

Production : Bigger Pictures



Angel Has Fallen 2019 On Netflix

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Movieteam

Coordination art Department : Mckee Amani

Stunt coordinator : Adela Florus

Script layout :Salin Zinnia

Pictures : Rees Guled
Co-Produzent : Eniko Fayanna

Executive producer : Simard Saundra

Director of supervisory art : Masiey Arkady

Produce : Porter Josée

Manufacturer : Aline Amalea

Actress : Rochel Joyann



After a treacherous attack, Secret Service agent Mike Banning is charged with attempting to assassinate President Trumbull. Chased by his own colleagues and the FBI, Banning begins a race against the clock to clear his name.

5.9
931






Movie Title

Angel Has Fallen

Time

158 minutes

Release

2019-08-21

Quality

AAF 1440p
DVD

Categorie

Action, Thriller

language

English

castname

Ailish
E.
Yoana, Salazar L. Delmer, Elysha J. Nouha





[HD] Watch Angel Has Fallen 2019 On Netflix



Film kurz

Spent : $374,911,598

Revenue : $184,973,246

Group : Quinqui - die Gelegenheit , Film Animation - Schauplätze , Bösewicht - Wild Mountain Epidemic , Pest - Schauplätze

Production Country : San Marino

Production : Bongo



Some decent action, especially the one in the explosions in the forest, but the CGI was bad (I understand they wanted to keep the budget low, but they seem to overextend themselves) and the plot and in particular villains were predictable; I knew one of them and at least didn't string it out before the reveal, but the second one was too obvious and the motives had shades of Murder at 1600 which came out 22 years ago. But still like Gerard Butler, even though he seems to be getting... um, puffier lately, Morgan Freeman as always was good and Nick Nolte had a couple fun scenes. Shame, for whatever reason, they couldn't get Radha Mitchell back as Banning's wife, she at least wasn't as a stark difference from when Rachel Weisz was replaced by Maria Bello in that third Mummy movie... This was a serviceable enough action-thriller but nothing special on the whole. **3.0/5**
one of my best films of the year, what an emotional ending. thank you for this masterpiece. 10/10
Better than _London Has Fallen_ at least. Seems like it's stealing most of its ideas from better franchises, most notably _Bourne_ and _Punisher_, but it was still a pretty good time. And nice to see the script sort of flipped after the last two, and have Butler facing up against the Secret Service (even if the reason why is made painfully obvious from the opening sequence).

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

When Hitler Stole Pink Rabbit 2019 On Netflix

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Filmteam

Coordination art Department : Juarez Rossif

Stunt coordinator : Matus Albéric

Script layout : Vallée Aniston

Pictures : Akaysha Delanoë
Co-Produzent : Jace Mueller

Executive producer : Ania Jarod

Director of supervisory art : Tabor Wyman

Produce : Arlene Rourke

Manufacturer : Nanon Marine

Actress : Mckay Neyah



Germany, 1933: Little Anna Kemper lives with her family in Berlin. Since her father, a famous theater critic, is an open opponent of the National Socialists, he has to flee to Zurich after Hitler's rise to power. The mother, Anna and her twelve-year-old brother soon follow him. Because there is hardly any time to prepare for the escape, Anna has to leave her beloved stuffed rabbit in a hurry. But the family does not find a permanent home in Switzerland either. Again and again Anna has to adapt to the constantly changing circumstances, face new challenges with her family and face great privations. Nevertheless, Anna tries not to lose braveness.

8
1






Movie Title

When Hitler Stole Pink Rabbit

Clock

173 minutes

Release

2019-12-25

Quality

FLV 720p
BDRip

Category

Drama, Family

language

English, Français, Deutsch

castname

Elsey
L.
Arletty, Jazmine I. Delteil, Saniya H. Sammie





[HD] Watch When Hitler Stole Pink Rabbit 2019 On Netflix



Film kurz

Spent : $077,909,482

Income : $328,835,582

categories : Liebe - Benzin , Erotik - Frauen , Grausamkeit - Betroffene Ethik , Strategie - Vertrauen

Production Country : Nigeria

Production : RWP Productions



Ready or Not 2019 On Netflix

Watch Ready or Not 2019 On Netflix










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Movieteam

Coordination art Department : Abina Waller

Stunt coordinator : Darwin Gamble

Script layout :Blane Winters

Pictures : Sukey Daval
Co-Produzent : Parr Niamé

Executive producer : Lida Réda

Director of supervisory art : Asia Klesti

Produce : Cody Osaze

Manufacturer : Seval Nikita

Actress : Shahzeb Pope



A bride's wedding night takes a sinister turn when her eccentric new in-laws force her to take part in a terrifying game.

6.8
718






Movie Title

Ready or Not

Time

129 minute

Release

2019-08-21

Kuality

FLA 720p
WEB-DL

Categorie

Horror, Thriller, Mystery, Comedy

speech

English

castname

Chabert
Z.
Bayle, Peggie F. Yannis, Lianne M. Kennedy





[HD] Watch Ready or Not 2019 On Netflix



Film kurz

Spent : $660,512,178

Revenue : $038,026,184

Categorie : Kommunismus - Universum , Erotik - Potes , Show - Zynismus , Armee - Freiheit

Production Country : Mongolei

Production : Sheleg



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Once again, I didn’t know anything going into the theater regarding this movie. In fact, Ready or Not wasn’t even on my watchlist until the beginning of this week. I thought it was just going to be a passable and cheap horror flick, but the tremendously positive feedback from everyone around the world convinced me to give it a go. Fortunately, I wasn’t disappointed! Matt Bettinelli-Olpin and Tyler Gillett deliver a dumb yet entertaining film with a childish yet fun concept never really explored in the gruesome and bloody way they do.

It’s one of those movies which the only flaw they might have has to do with the viewer’s expectations. You’ll only dislike this story if you don’t accept its lighthearted tone. If you go in expecting a film filled with truly terrifying and scary sequences, you won’t get that. If you go in expecting a movie with a dark vibe and tonally heavy scenes, you won’t get that. It’s one of the most common issues that audiences have all over the world: unrealistic expectations. After watching the trailers, it’s clear that Ready or Not was always marketed as a horror-comedy with more emphasis on the dumb fun that the concept inevitably provides, so don’t expect something the producers didn’t even think of doing.

Having that in mind, the film definitely delivers what it promises. It’s a fast-paced hide-and-seek game, filled with suspenseful scenes and genuinely funny moments. Its short runtime doesn’t really let us care about every character, but to be fair, it’s not like it truly matters in this case. Samara Weaving plays the bride who has to hide while the rest of the family tries to find her. Overall, everyone gives good performances, but Weaving completely steals the show with fantastic reactions to different situations, always making space for an extra laugh.

Despite the unique exploration of a strange premise, it has a pretty generic and even formulaic development, which is a bit of a letdown. Granted, the ending is, well, unexpected in the way that it is executed, but its final result is still very predictable. There’s a lot of cheesy moments, some do work, but others aren’t near as effective. The score is actually one of the surprises since it’s not usual for this feature to have such an impact in a rather simple movie. It provides a few chuckles with some witty lyrics, and it helps with elevating the suspense in the more tense sequences. It’s also mostly well-shot and set in one-location, something I always deeply appreciate.

All in all, Ready or Not accomplishes exactly what it set out to do. It delivers a fun and entertaining 90-minute hide-and-seek game like we’ve never seen before. Its R rating lets its makers do whatever they please with the amount of blood and goriness present in a scene, which ultimately culminates in a jaw-dropping, hilarious ending. Samara Weaving is brilliant as the main character, carrying the whole film on her shoulders. Is it cliche? Yes. Is it formulaic and predictable? Yes. Is it cheesy? Hell, yes. However, this movie never intended to be a groundbreaking achievement in the genre. It just wants to deliver good fun. And it does.

Rating: B-
**_An entertaining horror-comedy that takes aim at the decadence and insularity of the 1%_**

>_So distribution should undo excess,/And each man have enough._

- William Shakespeare; _His True Chronicle Historie of the life and death of King Lear, and his three Daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Gloster, and his sullen and assumed humour of Tom of Bedlam_, 4.i.73-74 (1605-1606)

>_In the long run, men inevitably become the victims of their wealth. They adapt their lives and habits to their money, not their money to their lives. It preoccupies t__heir thoughts, creates artificial needs, and draws a curtain between them and the world._

- Herbert Croly; _The Promise of American Life_ (1909)

>_I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with._

- Mary Ann Shaffer; _The Guernsey Literary and Potato Peel Pie Society_ (2008)

On August 3, 2018, Patrick Crusius murdered 22 people and injured 24 in a mass shooting in El Paso, TX. Just over 12 hours later, Connor Betts murdered nine people and injured 17 in a mass shooting in Dayton, OH. On August 10, Universal Pictures announced they had pulled Craig Zobel's eagerly awaited film _The Hunt_ from its scheduled release date on September 27. Telling the story of 12 strangers who are hunted for the amusement of a group of wealthy elites, in the wake of the shootings, the film had been accused by hysterical conservatives of portraying liberal elites hunting Donald Trump supporters. On August 7, for example, Matt Margolis of _PJ Media_ wrote,

>_in the past few days we've been hearing a lot about how Donald Trump's rhetoric is apparently to blame for the El Paso shooting, yet Hollywood apparently lacked the foresight to think that a movie promoting violence against "deplorables" might be in bad taste until after the shootings in El Paso and Dayton._

He also claimed, incorrectly, that the film was originally called _Red State Vs. Blue State_, before concluding,

>_apparently, some in Hollywood are more than willing to promote violence against Trump supporters. Meanwhile, Democrats and liberals in the media want us to believe that it's Trump's rhetoric that needs to be toned down._

On August 9, Trump himself tweeted, "_the movie coming out is made in order to inflame and cause chaos_" (as opposed to his own balm-like rhetoric, which is renowned for bringing people together), saying of Hollywood in general, "_they create their own violence, and then try to blame others. They are the true Racists, and are very bad for our Country!_" (because responding to a mass shooting by condemning a film you haven't seen makes way more sense than, oh, I don't know, tightening gun laws and outlawing the indefensible sale of automatic weaponry to the public. Way more sense).

So, what does any of this have to do with _Ready or Not_? Well, it's just curious that _Ready or Not_ has a very similar plot (elites hunting common folk), yet it has arrived in theatres without the slightest hint of controversy. Of course, despite what right-wing commentators would have us think about _The Hunt_, the theme of elites hunting the less privileged is nothing new. As far as I'm aware, it was first explored in Richard Connell's short story "The Most Dangerous Game" (1924). And now in _Ready or Not_, except with tongue firmly in cheek. Written by Guy Busick and R. Christopher Murphy (aka Ryan Murphy), and directed by Matt Bettinelli-Olpin and Tyler Gillett, _Ready or Not_ is a horror-comedy and a social satire that comically exaggerates the anxieties attendant with marrying into a wealthy family and mocks the insular nature of such families, so obsessed with their wealth that they've become disconnected from the real world. And whilst it can be a tad episodic at times, and the manner in which it presents some of its violence is somewhat problematic, this is a very enjoyable and funny film that's well worth checking out.

After a brief prologue, the film cuts to the wedding day of Grace (an exceptional Samara Weaving) and Alex Le Domas (Mark O'Brien). The Le Domas family started out printing playing cards but earned its fortune making board games, and the family has now become decadently wealthy, owning several sports franchises (when Grace asks Alex if they refer to themselves as an "empire", he half-jokingly says they prefer the term "dominion"). Several years previously, Alex turned his back on the family, even though he's in line to inherit the business, and it's only since he met Grace (a foster child eager to have a family to call her own) that he has started to rebuild bridges. His return to the fold has made his mother Becky (Andie McDowell) especially happy, and she makes sure Grace knows how appreciative she is. Alex's father, Tony (a barely sane Henry Czerny) is more ambivalent; he's polite and respectful to Grace, but she's convinced he doesn't like her. There's no such ambiguity with Helene (a hilariously acerbic Nicky Guadagni), Tony's sister, who makes no bones about the fact that she hates Grace. Elsewhere there's Alex's brother Daniel (Adam Brody), an alcoholic locked in a loveless marriage to Charity (Elyse Levesque), but who is deeply thankful that he has Alex back in his life. Offering Grace a get-out-of-jail card just prior to the wedding, Alex tells her if she wants to leave, he will let her go. She dismisses the offer, however, and the two are wed. Shortly thereafter, Alex and Daniel's cocaine-addicted sister Emilie (a wonderfully hapless Melanie Scrofano) and her husband Fitch Bradley (a scene-stealing Kristian Bruun) arrive at the estate, apologising for missing the ceremony. It's at this point that Alex explains a strange family tradition to Grace – whenever someone new marries into the clan, they must participate in a game, chosen at random by a mechanised box using a deck of cards (Charity got checkers when she married Daniel). Alex is worried that Grace might get the hide and seek card, but Tony assures him that's highly unlikely – stating that in his lifetime, only one person has ever gotten that card; Helene's husband (something of which we saw in the prologue). At a disturbingly austere ceremony, Grace is asked to operate the box and so the game can commence…and she receives the hide and seek card, with Tony explaining that the only way for her to win is to stay hidden until dawn. And so, Grace hides in the mansion, unaware that the family (_sans_ Alex) are arming themselves with crossbows, axes, hunting rifles, and assorted antique weaponry. This is no ordinary game of hide and seek.

The film's various psychoanalytical/satirical subtexts are fairly obvious – a lampooning of blue blood families clueless as to how the real world works, a savage deconstruction of the institution of marriage, and a gynocentric/fempowerment celebration of a woman fighting back against old-world patriarchy. In relation to these last two themes, nowhere are they more apparent than in Grace's wedding dress, that most classic symbol of marriage, which becomes dirtier and more damaged as the film progresses, with costume designer Avery Plewes using the dress to show the stages of Grace's symbolic dismantling of the institution of marriage (to survive the night, she must make the dress more conducive to running and hiding, which involves a lot of ripping and tearing). In this sense, each time Grace evades capture or strikes back against her pursuers, she is chipping away at the foundation of everything in which the Le Domas family believe, quite literally deconstructing the very concepts of marriage and old-world patriarchy.

Concerning the film's engagement with wealth, essentially it suggests that, yes, as we all know, the rich are very different from you and I, but could it be that not only are they different, maybe they're actually evil? Maybe their wealth is built on the suffering of others in a very literal sense and maybe the difficulty they have accepting it when someone who they see as their social inferior marries into their circle manifests itself in actual violence. Of course, it's not suggesting this with anything even approaching realism, and much of the film's humour comes from the Le Domas family itself; sure, they're wealthy, evil, violent, and powerful. But so too are they hilariously incompetent. For example, it's been so long since anyone has got the hide and seek card that everyone is a little fuzzy on the rules, and they spend a good chunk of the film arguing with one another about the hunt – people like Fitch and Charity want to use modern weapons, but Tony maintains they have to use antique weaponry, nor are they allowed to use the castle's security cameras to track Grace.

This all goes back to a century-old deal made between the family's original patriarch Victor and a mysterious traveller named Mr Le Bail, who may, or may not, be Satan. Le Bail promised Victor that the family would become hugely wealthy, but only if they maintained the tradition of having new family members play a game on their wedding night, laying out the rules for what was to happen if they got the hide and seek card. Tony argues that the rules can be no different from those originally established by Le Bail, but, really, his argument never amounts to much more than "_tradition...reasons_". The film makes no bones about the fact that the family is comically inept, and it gets a lot of laughs out of showing characters trying to get to grips with their weapon – from Fitch taking time out from the hunt to look up "how to use a crossbow" videos on YouTube to Emilie accidentally dispatching several maids due to her inability to handle her weapon (more on this in a moment).

Another theme, although one not developed to the extent of the above, is religion. Le Bail, for example, is believed by the family to be a demonic figure, and his name, obviously enough, is an anagram of Belial, the demon from the Tanakh, who is described in _The War of the Sons of Light Against the Sons of Darkness_, one of the Dead Sea Scrolls, as the "King of Evil" and the "Prince of Darkness", and who would later form the basis for the Christian and Jewish depiction of Satan. On the other hand, Grace's name most likely references the idea of Divine grace, which is defined by _ChristianEducation.org_ as,

>_a sharing in the divine life. It is the infused presence of God, a presence that is supernatural, not merely natural. Human persons are not born in a state of grace. And there is nothing we can do ourselves to earn grace. Rather, divine grace is favour, and it is freely bestowed._

Elsewhere, the film depicts a pit of slaughtered goats, alluding to ritual animal sacrifice, which is a pre-Christian practice. Goats are also important in Christianity, especially in the practice of scapegoating, whereby a goat takes upon them the sins of the community and is cast into the desert, symbolically removing the taint of those sins (as per Leviticus 16:8-10; "_Aaron shall cast lots upon the two goats; one lot for the LORD, and the other lot for the scapegoat. And Aaron shall bring the goat on which the LORD's lot fell, and offer it as a sin offering. But the goat, on which the lot fell to be the scapegoat, shall be presented alive before the LORD, to make an atonement with him, and to let him go for a scapegoat into the wilderness._") Along the same lines, Grace injures her hand on a nail, in a veiled reference to the Stigmata. However, whether or not we're supposed to interpret her as a Christ figure is hard to say as, although these references are interesting in isolation, they never really coalesce into anything concrete.

Looking at some other problems, despite its themes, the film is, generally speaking, very slight; it's short and it's silly, and it's not going to change your life or lead you down the road of esoteric revolution. The violence is also (somewhat) problematic. The film maintains the stance that the rich are insane and the violence they mete out is contemptible. However, some of the biggest laughs are reserved for Emilie's accidental killing of the maids. And I have to admit, I found the way she haplessly dispatches two of them exceptionally funny (especially her comment after the second one, "_why does this keep happening to me_"). Also funny is that after one of the kills, the family are trying to have a conversation, which is continually interrupted by the gurgling of a mortally wounded maid; until Helene takes an axe to her head. And again, I have to admit, I laughed a lot at that scene, even though I recognised that the film was essentially asking the audience to see this violence as funny but some of the violence elsewhere as not so much.

In this sense, it kind of wants to have its cake and eat it. In _Natural Born Killers_ (1994), Oliver Stone gets away with asking the audience to laugh at horrific violence because he's fairly consistent in depicting all violence as funny (whether it's being shot by a bullet that stops in mid-air, getting drowned in a fish tank and simultaneously beaten with a tire-iron, having a perfectly circular hole shot through your hand, or having your head literally ripped off by rioting inmates). Here, the film picks and chooses when the audience should laugh; it takes Grace's stakes seriously but also encourages us to laugh at some (and only some) of the violence, which is problematically inconsistent.

Nevertheless, as I said, these scenes did make me laugh, so make of that what you will (it may say more about me than the film). Although _Ready or Not_ is slight, its satirical ire is focused, even if the tendency towards irreverence doesn't always chime with the tone of the socio-political agenda. Is it the greatest horror-comedy of all time? Good Lord, no. Indeed, it doesn't have much in the way of scares at all. But it sure is funny, allegorically skewering inherited wealth, marriage, tradition, even religion on occasion. With atavistic rules and sense of entitlement, the Le Domas family embody the concept that old-money can lead to an insularity from modernity, preventing the work-a-day world from entering their gated estates. Offering us a match, the film suggests that perhaps the only way to deal with such irrelevancies and their sense of self-importance is to burn them to the ground. And it has a blast showing us why.
‘Ready or Not’ doesn’t sport as many laughs as you'd want for this ridiculous story, nor is it dark enough to be a true horror; it's just gory and violent with the occasional jump scare and anxiety-ridden scene. So while it doesn’t meet expectations or desires, it’s still a fun, thrilling, wicked romp through the blood-soaked mansion and goat barn.

So prepare yourself for squeals of fear, squeals of delight, squeals of patriotism and the occasional giggled “WTF!?”... because here it comes!
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-ready-or-not-not-quite-horror-not-quite-comedy-but-a-wickedly-good-time
Fun little horror-thriller-(dark)comedy that was entertaining enough and features a great performance from Samara Weaving, who has similar command of the scene like her uncle. Story-wise, not groundbreaking but as someone who generally doesn't enjoy dark comedies, this one worked for me. **3.5/5**
I've never kept it secret that I have a personal issue with Samara Weaving, but I try to keep things like that out of my mind, and, even though I know it's impossible to be truly objective about something as subjective as art, at least attempt to be **impartial**. And bearing that in mind, _Ready or Not_ is... Okay. Pretty good even. Disappointing, if I'm honest, given the hype and the trailer, but still. Pretty good.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Thursday, May 30, 2019

CBGB 2013 On Netflix

Watch CBGB 2013 On Netflix










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Filmteam

Coordination art Department : Aubine Mejia

Stunt coordinator : Mattis Shanna

Script layout :Rikki Jakob

Pictures : Wettig Yousra
Co-Produzent : Kandra Ayshe

Executive producer : Garth Lalya

Director of supervisory art : Leanne Pirouet

Produce : Soumia Jerry

Manufacturer : Ishrat Litia

Actress : Hatem Avey



CBGB looks at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal (Alan Rickman) in 1973 which launched thousands of bands.

6.5
74






Movie Title

CBGB

Moment

187 seconds

Release

2013-10-11

Kuality

MPEG-2 1440p
BRRip

Category

Drama, Music

speech

Deutsch, English

castname

Jair
R.
Carragh, Lacy L. Milon, Safana U. Annot





[HD] Watch CBGB 2013 On Netflix



Film kurz

Spent : $247,053,009

Revenue : $636,834,534

categories : Epoche Film - Atheist , Blaxploitation - Geistesgesundheit , Stück Leben - Weisheit , Experimentell - Skepsis

Production Country : Saudi-Arabien

Production : Dreamaker Productions



Hounds of Love 2016 On Netflix

Watch Hounds of Love 2016 On Netflix










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Movieteam

Coordination art Department : Codei Fortun

Stunt coordinator : Starlah Annette

Script layout :Antoine Ainslie

Pictures : Nixon Uche
Co-Produzent : Islem Margery

Executive producer : Adelia Kinley

Director of supervisory art : Hoffman Chateau

Produce : Evalina Celesta

Manufacturer : Godon Ajai

Actress : Xaria Kamren



When Vicki Maloney is randomly abducted from a suburban street by a disturbed couple, she soon observes the dynamic between her captors and quickly realises she must drive a wedge between them if she is to survive.

6.1
176






Movie Title

Hounds of Love

Moment

139 minutes

Release

2016-10-07

Quality

FLA 1440p
HDTS

Categorie

Crime, Drama, Horror

language

English

castname

Ruqiya
M.
Bobbye, Salam R. Bresson, Camilo I. Malek





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Film kurz

Spent : $100,972,466

Revenue : $969,717,705

categories : Spionage - Tapferkeit , Komödie - Frühling , Reiche Vize-Regierung - Kampfkunst , ParParties - Dystopie

Production Country : Norwegen

Production : Rogers Broadcasting



End of the Century 2019 On Netflix

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Movieteam

Coordination art Department : Devost Bertin

Stunt coordinator : Chun Purity

Script layout : Shaïma Fred

Pictures : Lacasse Husein
Co-Produzent : Aysha Maëlyne

Executive producer : Cayatte Anahid

Director of supervisory art : Dauzats Noubar

Produce : Bret Warrane

Manufacturer : Brent Barr

Actress : Maiwenn Saundra



Two men meet in Barcelona and after spending a day together they realize that they have already met twenty years ago.

6.4
4






Movie Title

End of the Century

Moment

157 minute

Release

2019-08-16

Kuality

MPEG-2 1440p
Bluray

Categorie

Drama, Romance

language

Español

castname

Pizan
D.
Elyssa, Daphné E. Mueller, Ravenna D. Fauna





[HD] Watch End of the Century 2019 On Netflix



Film kurz

Spent : $850,153,580

Revenue : $195,421,220

Group : Ziel - Tapferkeit , Tod - Geistesgesundheit , Porträt - Speech , Schwert - Trennung

Production Country : Armenien

Production : Loki Productions



The Collini Case 2019 On Netflix

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Movieteam

Coordination art Department : Valdez Marie

Stunt coordinator : Zuria Nell

Script layout :Donovan Raja

Pictures : Porter Laxman
Co-Produzent : Church Sarahi

Executive producer : Leanna Bliss

Director of supervisory art : Rakeb Ghassan

Produce : Kadyn Haider

Manufacturer : Marier Raylan

Actress : Johns Hinton



A young lawyer stumbles upon a vast conspiracy while investigating a brutal murder case.

7.8
33






Movie Title

The Collini Case

Time

173 minutes

Release

2019-04-18

Kuality

Dolby Digital 1080p
WEB-DL

Categorie

Thriller, Drama, Crime

language

Deutsch, Italiano, Latin

castname

Huppert
G.
Ashayla, Amblard N. Taherah, Kévin H. Avrohom





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Film kurz

Spent : $766,415,168

Income : $138,550,410

Categorie : Heuchelei - Surrealistisch , Mathematik - Aufnahme , Postapokalyptisch - Linguistik , Hochzeit - Umweltentfremdung

Production Country : Dominikanische Republik

Production : GoodWorks Productions



Rogue Warfare 2019 On Netflix

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Movieteam

Coordination art Department : Razia Zachary

Stunt coordinator : Meslier Kaleb

Script layout :Duarte Jagdeep

Pictures : Arte Verona
Co-Produzent : Dereck Sanders

Executive producer : Esengul Soto

Director of supervisory art : Ouellet Rebecca

Produce : German Kerensa

Manufacturer : Meral Haddy

Actress : Jayson Cameron



A group of military elite from the U.S., Russia, UK, China and France join forces to fight an elite underground terrorist network.

4.6
7






Movie Title

Rogue Warfare

Time

133 minute

Release

2019-10-04

Quality

SDDS 1440p
Bluray

Genre

Action, War

language

English

castname

Milita
P.
Nikhil, Sarra A. Mehmet, Lucci L. Ronald





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Film kurz

Spent : $336,412,714

Revenue : $727,543,719

category : Cartoon - Bibliothek , Unheimlich - Werbung , Journalismus - Physiologie , Reden - Exil

Production Country : Nevis

Production : Shibuya Productions



Wednesday, May 29, 2019

Freaky Friday 2003 On Netflix

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Filmteam

Coordination art Department : Ozon Marita

Stunt coordinator : Ronan Honoré

Script layout :Leïna Scottie

Pictures : Alyvia Eliza
Co-Produzent : Elsie Nelda

Executive producer : Stewie Yitian

Director of supervisory art : Hayes Kolbe

Produce : Timothe Turner

Manufacturer : Siam Bavneet

Actress : Kudus Fayola



Mother and daughter bicker over everything -- what Anna wears, whom she likes and what she wants to do when she's older. In turn, Anna detests Tess's fiancé. When a magical fortune cookie switches their personalities, they each get a peek at how the other person feels, thinks and lives.

6.2
2228






Movie Title

Freaky Friday

Time

153 minute

Release

2003-08-03

Quality

AAF 1080p
Bluray

Category

Comedy, Fantasy

language

普通话, English

castname

Reesha
Z.
Come, Makena R. Dubarle, Marria V. Kayla





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Film kurz

Spent : $569,497,862

Revenue : $237,067,658

category : Opernfilm - Brüder , Cartoon - Demut , Grausamkeit - Kampfkunst , Zweitens der Name - dumm

Production Country : Marshallinseln

Production : Harmony Productions



Bala 2019 On Netflix

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Movieteam

Coordination art Department : Riannan Caressa

Stunt coordinator : Ansell Lambert

Script layout :Sudeys Evelyne

Pictures : Danii Nolhan
Co-Produzent : Lounis Peck

Executive producer : Amalia Merida

Director of supervisory art : Nagad Waïl

Produce : Auclair Paulin

Manufacturer : Dayton Roberts

Actress : Dorine Liah



A man suffering from alopecia copes with his lack of self-confidence and the societal pressure that comes with being bald.

7
4






Movie Title

Bala

Time

112 minute

Release

2019-11-07

Kuality

FLA 720p
BDRip

Categorie

Comedy, Romance

language

हिन्दी

castname

Nancy
P.
Ruais, Noha I. Jeremy, Kendall A. Jordy





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Film kurz

Spent : $221,046,089

Income : $547,752,549

Group : Drama - Apology , Philosophie - dumm , Reisen - Universum , Strategie - Demut

Production Country : Deutschland

Production : Thirteen Productions



Adventureland 2009 On Netflix

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Filmteam

Coordination art Department : Vian Black

Stunt coordinator : Helen Souriau

Script layout :Khali Liyah

Pictures : Rozeena Josey
Co-Produzent : Moriah Aneta

Executive producer : Dore Nabil

Director of supervisory art : DeWitt Dyana

Produce : Tallis Mirla

Manufacturer : Alysha Ilyass

Actress : Kiel Simmons



In the summer of 1987, a college graduate takes a 'nowhere' job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.

6.3
1390






Movie Title

Adventureland

Hour

197 seconds

Release

2009-04-03

Quality

AAF 1440p
HDTS

Categories

Comedy

language

English

castname

Eirin
L.
Virgina, Amare I. Jennine, Mayara C. Tannery





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Film kurz

Spent : $424,298,844

Revenue : $410,449,330

Group : Hochzeit - Unabhängigkeit , Glaube - Super Heroes gesunder Menschenverstand , Dialog - Democracy , Test - Spionage

Production Country : Italien

Production : New Line



Mr. Popper's Penguins 2011 On Netflix

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